Entries Tagged 'All ages' ↓
April 14th, 2011 — All ages, Reluctant Writers, Resources & Links
About a year ago, in preparation for my first Schoolhouse Expo webinar, I discovered the joy of making PowerPoint presentations. Call me weird, but I found that I love combining writing with techno-creativity—choosing a template, organizing my ideas into neat bullet points, and adding just the right clipart or photo to each page.
It may not sound like your idea of fun, but if you have a reluctant writer, I can fairly guarantee that he’d rather make a PowerPoint presentation than write a report by hand. As a matter of fact, allowing your child to display his understanding of a subject in a fresh new way can spark tremendous enthusiasm and eagerness.
Creating a PowerPoint presentation appeals to children on so many levels:
- Perfect for both visual and kinesthetic learners.
- Appeals to children who are artistic and creative.
- Appeals to children who love technology.
- Offers a break from more traditional schoolwork.
- Teaches important computer and keyboarding skills.
- Encourages research.
Children can use a Microsoft® PowerPoint slide show to explain a scientific concept such as photosynthesis, volcanoes, or the water cycle. They can create reports about penguins, submarines, ancient Greece, ballet, or Dwight D. Eisenhower. Adding photos, clipart, and tidbits of information in bullet-point form, they’re absorbing and applying knowledge. It’s fun, creative, novel, and interesting, making the PowerPoint a great way to mix up traditional report writing with technology.
With a few months of the school year still remaining, perhaps the time is right to try something new. Why not introduce your children to PowerPoint? For some basic tutorials, start here:
April 5th, 2011 — All ages, Encouragement
After a busy week in the classroom, Friday evenings were a quiet, delightful treat: Delightful because I got to curl up on my living room couch, with cookies and tea, and read through my students’ journals. Delightful because the brightly colored pocket folders held the written thoughts of my kids, as they experienced classroom life in real time. Delightful because each student and I kept a written, running conversation in the pages of those folders.
Conversation journals, we called them.
Every afternoon, students penned brief summaries of:
- their observations about each day’s class.
- what they wanted to remember.
- what they found difficult.
- what they would seek assistance on to understand better.
- what attitudes they had about learning in different subject areas.
They addressed their entries to me, and I responded, thus often beginning written conversations that would last weeks on many topics!
Not only did I gain insight into their struggles with long division, enjoyment of O.Henry’s short stories, or thoughtful concern for environmental issues, but I gained insight into my students’ growth as writers.
Conversation journals are also a handy tool in the homeschooling classroom. They provide a non-threatening context for kids to write at their own proficiency level. Mom or Dad writes back, modeling appropriate language use, but not correcting children’s language.
Such journals allow opportunities for kids to see growth in their own writing ability. And while a parental response should not result in corrections, an adult can examine a child’s writing for topic initiation, elaboration, variety, use of different genres, expression of interests and attitudes, and awareness of the writing process.
The bonus for a parent: insight into which academic concepts need to be taught to a greater depth, how a child is developing as a writer, and a shared journaling experience. That last item is the most precious of all.
Join the conversation!
Related link: Becoming your child’s pen pal
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Janet Wagner is a regular contributor to In Our Write Minds. For over two decades, Janet was an elementary and middle school teacher in two Christian academies, a public district school, and a public charter school. She also had the honor of helping to homeschool her two nieces. Janet and her husband Dean live on the family farm in the Piedmont region of north central North Carolina. Currently, she enjoys a flexible life of homemaking, volunteering, reading, writing, tutoring students and training dogs, and learning how to build websites. You can view her web work-in-progress at www.creative-writing-ideas-and-activities.com.
March 15th, 2011 — All ages, Encouragement

Most folks think of January as a time of reflection and goal-setting. And while the New Year is certainly the most popular time for planning those resolutions, spring offers additional, thoughtful opportunities.
We view the Easter season as a time of rebirth and new growth. Why not use this time as an emergence into a new season of writing, as well?
A Writing Portfolio Conference
As a former classroom teacher, I kept writing portfolios for each of my students. With the turn of each season, I met individually with each student for a portfolio conference. As in the traditional classroom, portfolio conferences are also valuable in homeschool settings.
Assessing growth
In a portfolio conference, parent and child can face the child’s writing growth together. This is mutually informative for mom or dad, son or daughter alike. Not only do children learn more about their strengths and weaknesses, but parents learn how their children view their own work.
Parents also gain insight into the effectiveness of their teaching strategies! Children receive feedback on setting and achieving writing goals. Parents receive feedback on how to make writing activities more meaningful and useful to their children.
Discussion questions
As you prepare for a spring portfolio conference with your child, here is a list of questions to jumpstart discussion with you son or daughter:
- What kinds of things do you like to write about?
- What does your portfolio show about you as a writer?
- How have you improved as a writer? What can you do well?
- What else do you want to improve in your writing?
- What new types of writing would you like to try this spring? Fantasy? Mystery? Poetry? Memoir pieces?
As the Lenten season prepares the pathway to Easter, may springtime lead to new avenues of writing and learning with your children.
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Janet Wagner is a new contributor to In Our Write Minds. For over two decades, Janet was an elementary and middle school teacher in two Christian academies, a public district school, and a public charter school. She also had the honor of helping to homeschool her two nieces. Janet and her husband Dean live on the family farm in the Piedmont region of north central North Carolina. Currently, she enjoys a flexible life of homemaking, volunteering, reading, writing, tutoring students and training dogs, and learning how to build websites. You can view her web work-in-progress at www.creative-writing-ideas-and-activities.com.
March 11th, 2011 — All ages, Brainstorming, learning challenges, Reluctant Writers

There’s nothing quite like a blank page to ruin a perfectly good day.
We need to put words to paper, but they will not come. The blank page intimidates us. The objects in the room call, our eyes wander, and our mind runs to places that are more desirable. We struggle to come back to the page with pen in hand. In the meantime, the white space has grown in intensity, until it is blinding. –Richard Mansel, “The Fear of the Blank Page“
It can be a formidable foe, this empty field of white—especially for the child who struggles to coax even a short string of words from his reluctant pen.
Fortunately, there are simple things you can do to help the most reluctant student find his footing—or at least his voice. Let’s look at nine ways you can encourage your child to face (and perhaps even conquer!) that blank sheet of paper.
1. Write first thing.
Consider starting the school day with a writing activity, while attitudes are still positive and minds feel more creative. Facing an unpleasant or challenging task earlier in the day—when your children are fresh and alert—may be the key to unlocking ideas.
2. Brainstorm separately before beginning to write.
Jotting down random thoughts—no matter how jumbled—can help release a log jam of words and phrases. Encourage your kids to brainstorm before beginning any writing assignment.
3. Set parameters for the assignment.
Few children find it freeing to hear: “Write about whatever you want.” The vastness of total choice can overwhelm even the most eager writer, so establish some boundaries for the assignment. For example:
- Specify the kind of writing. Will the composition be a personal narrative? A persuasive essay? A descriptive piece?
- Let students choose a topic within a particular genre such as mystery or adventure, or within a current area of study such as pioneer days or the Great Depression.
- Give expectations regarding composition length or number of sources you require.
4. Offer story prompts.
StoryBuilders are creative writing-prompt cards that let students choose a character, character trait, setting, and plot as the launching place for a zany (or serious) story. Mixing and matching elements of a story can unlock creativity and open the door for some fun writing experiences.

5. Give topic options and choices.
Encourage students to write about favorite, familiar topics—dogs, ballet, skateboarding, Legos, karate, etc. The more they enjoy the subject matter, the more vested they’ll be in the writing project.
6. Start with a personal experience or familiar story.
It can make an excellent foundation for a new story. Your children don’t always have to come up with something unique—it’s totally fine for them to retell a fable, fairytale, folktale, or other familiar story in their own words.
7. Provide a photo.
Pictures—especially those that “speak a thousand words”—make great prompts for generating story or narrative ideas. When searching for photos online, you’ll want to preview sites for appropriate content. That said, consider finding inspiration from one of these:
8. Do some or all of the writing.
By the time a thought makes its way from brain to hand to paper, the reluctant or learning-challenged student has lost her grasp on the idea, and it simply drifts away. Letting her dictate allows you to capture those words before they dissipate. Then, once they’re written, she can more easily rearrange and modify.
9. Encourage a “rough draft” mindset.
Students who think their first draft should be perfect can gain a lot from adjusting their thinking. Writing is a debugging process. Starting sloppy deals a blow to the blank page as the student plays with early ideas and gets into the writing flow. As author and poet Margaret Atwood so aptly put it: “If I waited for perfection, I would never write a word.”
November 29th, 2010 — All ages, Teaching Writing

Most of you are a few months into the new school year, and by now you have a pretty good idea of whether writing is humming along nicely or stubbornly dragging its heels. Now is a good time to evaluate this often-neglected subject and decide if you need to make any mid-course corrections.
It may help to ask yourself: Do I really need a formal writing program? Surprisingly, you may not. Here are some things to consider.
Do You Need a Writing Curriculum?
No, if you . . .
- Are a self-starter.
- Provide your kids with a variety of writing activities and projects.
- Include writing as part of your unit studies.
- Regularly incorporate writing across the curriculum.
- Enjoy thinking up writing lessons for your children.
- Are good about remembering to have your children write several times a week.
- Don’t worry too much about whether you’re missing something.
Yes, if you . . .
- Tend to push writing to the back burner.
- Feel uncertain about what to teach and when.
- Worry about not doing enough writing with your children.
- Prefer a bit more structure.
- Like a more systematic approach to teaching.
- Are more comfortable following a schedule.
- Feel overwhelmed at the thought of coming up with writing assignments or creating your own lesson plans.
Did You Answer Yes? Read On!
What to Look For in a Writing Program
- Clear teaching directions.
- Step-by-step student instructions.
- Creative, engaging ideas for prewriting, brainstorming, and publishing.
- Ungraded materials that allow you to teach several children.
- Materials that will encourage a reluctant writer, yet challenge a stronger or more eager writer.
- An approach that appeals to different learning styles.
- A program that builds the writing process into the lessons.
- Lessons that offer models or examples.
- A program that teaches self-editing.
What to Avoid
- Materials that just tell children to write rather than teach them HOW to write.
- Rigid lessons with very specific writing topics and little room for flexibility.
- Comprehensive curricula that attempt to fully teach both writing and grammar.
- Generic or all-purpose grading rubrics that require too much guesswork on your part.
. . . . .
When you’re comparing writing programs, WriteShop is a good place to start. Whether you’re teaching elementary ages or teens, WriteShop products meet many of the above recommendations for a solid, parent-friendly writing program.
November 1st, 2010 — All ages, Resources & Links

IT’S HERE! NaNoWriMo starts TODAY!
Short for National Novel Writing Month, NaNoWriMo is an amazing writing event that takes place every November.
I love that NaNoWriMo also has a Young Writers Program that’s open to children 17 and under. The challenge? Pump out a novel in 30 days.
According to the website, “The only thing that matters in NaNoWriMo is output. It’s all about quantity, not quality. The high-velocity approach forces you to lower your expectations, take risks, and write on the fly.”
Free Resources
NaNoWriMo offers some great resources to help your students along their writing journey—”new and improved, 100% awesome, non-lame” Young Novelist Workbooks.
You can download the workbooks here absolutely FREE! Choose from:
- Elementary Student Noveling Workbook
- Middle School Student Noveling Workbook
- High School Student Noveling Workbook
Ready for a crazy, roller-coaster November? Register here for the NaNoWriMo Young Writers Program!
. . . . .
Reprinted from the archives.
October 4th, 2010 — All ages, Editing & Revising

I hear it all the time.
We’re having self-editing issues. For some reason, my children believe they are perfect writers! They can never find any spelling or grammar mistakes.
Surprise, surprise! Most children simply don’t get the whole editing thing. They like what they wrote and can’t understand why you want them to—gasp!—look for ways to improve it.
Yet every seasoned writer will tell you that the editing stage is as important—if not more so—than the writing stage, for this is where the writing is refined and honed to become the best piece possible.
Oh, the pain!
During self-editing, a writer reads and re-reads his rough draft. As he does, he finds ways to improve structure, flow, and word choice. And of course, this is the time to get serious about conventions such as spelling, punctuation, and capitalization.
Sounds easy enough, right? So why do kids have such a hard time identifying errors in their own writing?
- They really don’t see the mistakes. When we read, we think we see every word and punctuation mark, but in truth, most of us read in chunks. Our brains are funny that way.
- They fail to see self-editing as an essential part of the writing task. At best, they consider it unnecessary. At worst, they view it as punishment.
- They feel attached to their writing. To most kids, it really is personal. Looking for errors is no less painful than, say, plucking out an eye.
- They attempt writing and self-editing in the same day. Writers—and not just kids—often don’t put enough space and distance between themselves and their writing piece before beginning the self-editing process.
Seven Self-Editing Strategies
Self-editing, like any other process, must be developed. Here are just a few tips and tricks you can try.
- Tell your child not to worry about self-editing during the first draft. The important thing is just to get the words down on paper.
- Let her edit a photocopied version of her paper. This is especially effective with elementary-age kids who feel anxious about marking up the original.
- Explain that it’s easier to proofread her writing after it has had a chance to rest, and recommend that she wait a day or two rather than try to self-edit right away. Stepping back helps her distance herself emotionally from the words, characters, or story details she’s chosen so carefully.
- Have her read each word aloud slowly. Reading will slow her down, making it easier to catch her errors.
- Have her read the paper backward, from the end to the beginning. Reading one word at a time helps her proofread for repeated words and misspellings. Reading one sentence at a time encourages general editing.
- Explain that she will need to read her paper several times while looking for a certain kind of error, such as capitalization. This is more effective than trying to find all her errors in a single reading because it gives her one small thing to focus on. One pass at a time, she can also look for things like overly repeated words, boring or vague words, sentence starters, or punctuation.
- Teach your child to use resources like a dictionary, thesaurus, grammar reference, or word banks so she’s less likely to make guesses about how to fix her mistakes.
Copyright 2010 © Kim Kautzer. All rights reserved.

Image courtesy of Getty Images.
August 5th, 2010 — All ages, Teaching Writing

When assigning writing to your children, you don’t always have to reinvent the wheel with a brand-new lesson. Sometimes it’s fun to approach a familiar assignment in a fresh new way. For example:
- Tweaking an existing lesson instruction by adding different elements.
- Having your children revisit an earlier composition—either a recent story or one they wrote a year or two ago) and changing it up somehow.
Here are some simple ways to add variety to your children’s writing by using lessons you already have lying around!
Change the tense
Using the same composition they wrote before, have students rewrite it, changing the tense. If it was written in past tense, ask them to write it in present, and vice versa. If the story was written long ago, you may also want to have them increase the length, add more sentence variations, or expand description.
Change the point of view
Have your child rewrite a story from a different point of view by writing as another character in the story. For practice, have him retell a familiar story such as David and Goliath, The Tale of Peter Rabbit, or a fable or fairy tale. Have him “become” one of the characters in the story and rewrite the story in first person. A younger child can do this exercise orally.
Describe a food
Instead of describing a food, students may write a restaurant review in which they vividly describe an assortment of foods—from appetizers to dessert. Expect this composition to be several paragraphs in length. Suggestion: Visit a restaurant and have students take “brainstorming” notes as they sample various foods.
Describe a place
As an alternative to describing a place, your child can design travel brochures about a favorite vacation spot, famous landmark, city, country, or geographical region she would like to visit. Include text and pictures.
Write a biography
Every student writes biographies at some point. To change it up a bit, have your kids write an autobiography of a famous individual instead (autobiographies are written in first person) as if they were that historic person. Alternatively, you might ask them to assume the role of an historical figure and write one or more journal or diary entries or letters. Any of these exercises should be historically accurate, perhaps fitting in with a current topic of study.
Create a newspaper
A newspaper format lends itself well to a history unit. Why not have your child write an entire newspaper about a historical era? Include a wide assortment of the following:
- Local, national, and international news stories
- Advertisements
- Comic strips
- Entertainment
- Doctor’s column
- Literary news
- Sports
- Travel
- Vital statistics (births, deaths, marriages, crimes)
- Editorials/opinions/letters to the editor/exposés, etc.
This newspaper activity should be spread over a longer period of time. Some research will be required to ensure historical accuracy. This also makes a wonderful group project, with all your students contributing to one newspaper.
Encourage your children to take their writing in new directions by trying some of these simple ideas. It won’t be long before you—and they—are thinking up different twists all on your own!
June 3rd, 2010 — All ages, Resources & Links
Ever heard of NaNoWriMo? Short for National Novel Writing Month, it’s an amazing writing event that takes place every November.
I love that NaNoWriMo also has a Young Writers Program that’s open to children 17 and under. The challenge? Pump out a novel in 30 days.
According to the website, “The only thing that matters in NaNoWriMo is output. It’s all about quantity, not quality. The high-velocity approach forces you to lower your expectations, take risks, and write on the fly.”
Free Resources
NaNoWriMo offers some great resources to help your students along their writing journey—”new and improved, 100% awesome, non-lame” Young Novelist Workbooks.
You can download the workbooks here absolutely FREE! Choose from:
- Elementary Student Noveling Workbook
- Middle School Student Noveling Workbook
- High School Student Noveling Workbook
Ready for a crazy, roller-coaster November? Register here for the NaNoWriMo Young Writers Program!
May 3rd, 2010 — All ages, Teaching Writing

The Good
I love the deliciousness of certain words—the way something as ordinary as chocolate can take on an entire new personality when dressed up with adjectives like warm, rich, thick, gooey, chilled, creamy, or frothy.
Such descriptive words bring everyday foods to life.
Magazine writers, cookbook editors, food bloggers, and restaurant reviewers all know the value of a well-turned phrase. Using appetizing words like simmering, hearty, robust, browned, and spicy, they tempt the reader to try a new recipe or visit an out-of-the-way cafe with enticing offerings like these:
The cake looked like a homespun masterpiece. It was fluffy as a pillow, toasty brown, and shot through with plum-colored swirls. ~Serious Eats
This cream of mushroom soup hasn’t lost one jot of its butter-laden, cognac-kissed suavity. “Soup” is too prosaic a term for the pungent, earthy silkiness in every bowlful. Fungi beg for the honor of giving their lives this way. ~239 Best Dishes to Eat in Philly
Plump shrimp, sautéed with chile flakes and served with a salad of oyster mushrooms, cucumber and corn, turned out to be everything I wanted on a Saturday morning: fresh, vibrant and crunchy, with just enough spicy zing to wake me up. ~Salma Abdelnour, Best Restaurant Dishes of 2007
Broiling a nice juicy steak until it spatters and hisses and crusts up in all the right places is wonderful. Roasting a chicken and seeing the skin crisp up in the oven while the meat goes tender beneath is lovely, too. And most of the ills in the world can be cured with a few savory pork-stuffed dumplings, dripping broth and juice. ~The Wednesday Chef
I could marinate in these all day. Pun intended.
The Bad
Ah, but it’s also possible to describe a food—even one you normally like—in a way that totally robs the joy of eating it. Or to describe “iffy” foods like okra, black licorice, or liver and onions that are popular enough with some folks, but we just can’t abide ‘em.
One article, “Yucky Foods Worth a Second Taste,” tells why some people don’t like—among other foods—tomatoes. Given the description, I can understand why! To me, a good tomato is ripe, sweet, and juicy. But as the article explains, the “slimy, jellylike substance around the seeds, thin skin, [and] grainy pulp” send some people running from this salad staple.
Whoa. Almost had the same effect on me.
And last week, a friend’s Facebook status lamented the horrors of a recent fast food experience. She complained:
Just had the worst breakfast [I have] *ever* had. Ever. I love Sausage
McMuffins and went for Burger King’s knock off. Imagine an English muffin soaked in artificial butter oil, toasted, assembled with a spongy egg-like substance, cheese whiz or something, and a sausage puck. Now, wait a few hours, microwave until completely indestructible, and serve to an unsuspecting consumer. It was malevolently bad.
Melanie’s description has had its effect. Off to BK, anyone?
And this description of how to eat raw oysters, though intended to set the novice at ease, sure doesn’t inspire me to rush out to my nearest oyster bar!
Stay calm when faced with a half-dozen to a dozen barnacled, irregular and slimy oysters set on your party’s table. If you’re an oyster eating novice, attempt to suppress the look of horror at not only the aesthetics of the shellfish, but how you’re going to manage extracting the oysters from their watery home.
And the Ugly
Then there’s just plain ugly food. You know the kind I’m talking about. Undercooked. Overcooked. Burned. Mystery meat lurking in an old margarine tub at the back of the fridge. An unnamed vegetable weeping at the bottom of the crisper. The leftover cup of grayish, congealed gravy. The stuff no one wants to—or should ever—eat.
Some people are experts at describing ugly food. In children’s literature, Shel Silverstein and Roald Dahl pretty much top the list. Silverstein’s poem “Sarah Cynthia Sylvia Stout Would Not Take the Garbage Out” contains some of the very best of “worst food” descriptions you’ll find! Adjectives like gristly, gloppy, withered, rubbery, curdled, and moldy perfectly describe food that’s, shall we say, beyond its prime. Here’s an excerpt:
. . . Prune pits, peach pits, orange peels,
Gloppy glumps of cold oatmeal,
Pizza crusts and withered greens,
Soggy beans, and tangerines,
Crusts of black-burned buttered toast,
Grisly bits of beefy roast.
The garbage rolled on down the halls,
It raised the roof, it broke the walls,
I mean, greasy napkins, cookie crumbs,
Blobs of gooey bubble gum,
Cellophane from old bologna,
Rubbery, blubbery macaroni,
Peanut butter, caked and dry,
Curdled milk, and crusts of pie,
Rotting melons, dried-up mustard,
Eggshells mixed with lemon custard,
Cold French fries and rancid meat,
Yellow lumps of Cream of Wheat. . .
It’s a fun poem! Hope you’re inspired to read the whole thing.
So there you have it—the Good, the Bad, and the Ugly of food description. Have I whetted your appetite for descriptive writing? If so, I challenge you and your kiddos to grab a food from the refrigerator, study it carefully, and come up with a list of words to describe it—for better or for worse. And if you’re brave enough, leave a comment sharing your lists with us. We’re hungry to read them!
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If you’re looking for curriculum to help your students write more descriptively, consider WriteShop Primary Book C for grades 2-4 (or even older) and WriteShop I for grades 6-10. WriteShop I has a great lesson on describing a food, but both of these books offer several lessons on concrete description that will draw out the best in your young writers and make their writing sparkle with interesting, colorful vocabulary.